Kreuzweg (Stations of the Cross) (2014) by Dietrich Brüggemann


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"Kreuzweg," also known as "Stations of the Cross," is a 2014 German drama film directed by Dietrich Brüggemann. The film is notable for its unique structure, as it is divided into 14 long takes, each corresponding to one of the 14 stations of the Cross, a traditional Christian devotional practice that commemorates the events of Good Friday. Each of these long takes is shot in real-time and represents one of the 14 stages of Jesus Christ's journey to his crucifixion.
The story follows Maria, a 14-year-old girl from a devoutly religious Catholic family in contemporary Germany. Maria is deeply committed to her faith and is preparing for her confirmation, a significant religious milestone in Catholicism. However, she becomes increasingly obsessed with achieving spiritual perfection and decides to emulate Jesus by taking on extreme acts of self-sacrifice, often at the urging of her fanatical mother and the guidance of her strict priest.


As Maria's devotion intensifies, the film explores the tension between her religious fervor and her natural adolescent desires and curiosity. Her actions and decisions raise questions about the nature of faith, religious extremism, and the impact of fundamentalism on individuals and families.
"Kreuzweg" received critical acclaim for its unique storytelling approach, powerful performances, and thought-provoking exploration of religious fundamentalism. It won the Silver Bear for Best Screenplay at the 2014 Berlin International Film Festival and the Alfred Bauer Prize, which is awarded to a film that opens new perspectives in cinema.


The film delves into the complexities of religious faith, fanaticism, and the consequences of extreme beliefs on a young girl's life. It also raises questions about the role of religion in modern society and the impact of religious upbringing on individuals.
"Kreuzweg" is a challenging and thought-provoking film that offers a unique cinematic experience through its distinctive structure and themes, making it a noteworthy entry in contemporary German cinema.